„Jewel“ macht die Schal­plat­ten­wie­der­ga­be ent­schlack­ter, groß­räu­mi­ger und kna­cki­ger, zudem erscheint das Ril­len­rau­schen lei­ser. Defi­ni­tiv eines der effek­tivs­ten Aufla­ge­ge­wich­te am Markt. Bericht in der LP, Aus­ga­be 2/2025

I love the look of the JEWEL—it has real style and ele­gan­ce as it rota­tes on the plat­ter. And I was very impres­sed with its effi­ca­cy. It offe­red a clea­ner sound­s­ta­ge than the Pure Fide­li­ty (at three times the cost) (the pro­ver­bi­al veil lifted) and tigh­ter bass. Com­pared to the Pure Fide­li­ty, tim­bral cues were…

“If a record is pro­per­ly dir­ty it will need a wet clean but as a rule dust is the main issue and the Ramar Tina does a very good of remo­ving it, bet­ter than any other brush I’ve tried. It is also a work of art that ranks along­side high end turn­ta­bles in terms of…

Ran­gel Vasev designs hand­craf­ted record brush   Ran­gel Vasev, foun­der of hi-fi acces­so­ry brand RAMAR, designs record brushes known for their uni­que con­s­truc­tion and meti­cu­lous arti­stry. Hand­craf­ted in Ber­lin, each brush com­bi­nes six dou­ble rows with mil­li­ons of car­bon fibers to reach every groo­ve, sup­port­ed by two rows of goat hair. The mix­tu­re of materials…

    “I’ve got to give Ramar cre­dit. In one fell swoop it has ele­va­ted the pro­sa­ic record-clea­ning brush into some­thing far bey­ond what its hum­ble ori­g­ins ever sug­gested it could be. Would I buy one? Darn right I would. Extra­va­gant, okay, but rela­ti­ve to the cost of your LP rig and vinyl libra­ry, this…

In einer Zeit, in der sowohl Musik­kon­sum, als auch Musik­pro­duk­ti­on haupt­säch­lich aus Ein­sen und Nul­len besteht, folgt die Sehn­sucht nach Hap­tik viel­leicht dem Natur­ge­setz der Reak­ti­on. Ein schö­nes Bei­spiel für akus­ti­sche Hap­tik ist Vinyl. Das Revi­val der Schall­plat­te ist kein Trend, son­dern eben genau das: Eine Wie­der­ge­burt. Sie ist zurück­ge­kom­men, um zu blei­ben. Und wie…

Every vinyl-spin­ning audio­phi­le knows the importance of clean LP sur­faces and pro­ba­b­ly owns at least one car­bon-fiber record brush. But Ramar, head­quar­te­red in Ger­ma­ny, has ele­va­ted the pro­sa­ic brush into some­thing, well, über-luxu­rious. The two-pie­ce case is made of solid wood, mil­led from a sin­gle woo­den blank, then impec­ca­bly oiled and finis­hed in your choice…

The more orbits around our sun one tra­vels, the more one comes to app­re­cia­te tho­se objects made by hand with a com­mit­ment to qua­li­ty, and a sin­gu­la­ri­ty of pur­po­se in their design and exe­cu­ti­on. I’m spea­king of ran­ge­fin­der came­ras, point-to-point wired val­ve ampli­fiers, idler turn­ta­bles, small-batch whis­ky, bespo­ke road bikes… record brushes. I never thought…

Der Umgang mit der Ramar-Bürs­te ist eine rei­ne Freu­de. Sie fast sich sehr gut an, lässt sich nach jeder Benut­zung mit einem Hand­griff wie­der im Deckel ver­stau­en und lässt den einen rei­ni­gen­den Hand­griff beim Auf­le­gen einer Plat­te zu einer bei­na­he sinn­li­chen Erfah­rung wer­den. Ein­zel­test: Ramar Plattenbürste

  “A record brush? Yes, a record brush. Mind you, not just any sort of record brush. Put dif­fer­ent­ly, my Kuz­ma XL DC is not just ano­ther turn­ta­ble, much less a Crosby $99 Ama­zon spe­cial. See what I mean? Frank­ly, record brushes are a must have acces­so­ry for your LP play­back pro­cess. Gene­ral­ly spea­king, they…